Photographic Concepts 1
Photographic Concepts 1
This photography course will look at various aspects of contemporary photographic culture, and how various artists have responded to a variety of issues.
Beyond making nice-looking pictures it is important to have a solid idea or concept behind them. This subject will look at various aspects of contemporary photographic culture, and how various artists have responded to a variety of issues. It will encourage students to think differently about their work, about what ideas inform the work and to create images that are meaningful rather than, say, just being correctly exposed.
This subject will involve making a photographic series, as well as research and discussion, so come prepared to participate.
Plastic cameras, mobile photography
Reading a photograph
Authenticity in art
Form and context
Pornography & censorship
The immediate environment
Photography as process
Still and moving images
The new aesthetic
Mike Lim teaches this subject and says:
“I love this class because it allows people to put aside their obsessions with technique and play around with different ways of seeing the world. It gets students to ask questions about what their pictures are saying and how they are saying it, and this ultimately results in a stronger body of work. The students really jump at the opportunity to look at and appreciate what’s going on in photographic culture today.”
Please view the calendar for key dates at the CCP.
Fee By Instalment
To make paying for your course easier, fee by instalment is available. Click here to arrange your fee by instalment plan online or call the CCP on 08 8354 0839
Early Enrolment Discount
A $40 discount applies if full payment is made before the Term Census Date. This discount will already be applied to the online price, and flagged as on "sale".
Introduction to Photography
The following subjects are not compulsory pre-requisites, however students who have completed them are likely to get the most from this class:
Introduction to Darkroom
9 weeks, 3 hours per class. Students should expect to do an extra 6 hours a week of their own work.
It is possible to do this course entirely by remixing images from other sources, so a camera is not actually required. If you do use a camera it could be anything from a DSLR to a Polaroid. The subject is not exclusively film or digital based.
Not compulsory, but it would be helpful to have something that shoots video, like a smartphone.